On a triple, I then continue higher on the high F horn, starting on T and going up as high as I can. In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs - or anything else. Sorry, your blog cannot share posts by email.ĭuring practice sessions your embouchure, throat and tongue should be naturally relaxed and flexible. This forces me to be flexible and facile in all ranges of the instrument. Learn how your comment data is processed. You are commenting using your Twitter account. Enter your comment here Combined with effective practice and thoughtful instruction, lip slurs can be used to develop tone, technique, range, and more! Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments.
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#BAI LIN LIP FLEXIBILITIES TRUMPET HOW TO#
To find out more, including how to control cookies, see here: As with all lip slurs, the level of difficulty varies widely depending on the level of execution. The exercises begin simply with half-note and quarter note slurs, beginning on open notes flexibilkties moving downward through the harmonic series. Fill in your details below or click an icon to log in: Subsequent patterns expand both in range and rhythmic complexity, and the final exercises are truly virtuosic.ĭiscovering the right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book. Briefly, some of the benefits of flexjbilities lip slurs include. Do not attempt to play in too high a register. Worth area, and has published numerous articles in The Horn Call. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility.
View and download Bai-Lin(1).pdf on DocDroid. Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item.